16 April 2021 00:56
Wet Plate Collodion And Salt Print Photography Workshop | Città Di Castello Umbria
two-days weekend Wet Plate Collodion And Salt Print Photography workshop in Città di Castello, Umbria
2 days Full-Immersion
arrival within 9:30 am
lunch break (included)
first daywork ends at around 6 pm
dinner and overnight stay (up to participants)
second day restarts at 9:30
lunch break (included)
workshop ends at around 5 pm
Lessons in English
Level: good for beginners as well as for advanced
Closed number course: max 6 participants allowed
Registration closes 2 weeks before course starts
Related photo courses in Germany
You are applying for a two-days weekend workshop, full-immersion type (hands-on) for to learn how do the wet plate collodion photography process and the salt printing process on your own.
What is wet collodion process?
Wet-collodion process, also called collodion process, early photographic technique invented by Englishman Frederick Scott Archer in 1851. The process involved adding a soluble iodide to a solution of collodion (cellulose nitrate) and coating a glass plate with the mixture. In the darkroom the plate is immersed in a solution of silver nitrate to form silver iodide. The plate, still wet, is exposed in the camera. It is then developed by pouring a solution of pyrogallic acid over it and is fixed with a strong solution of sodium thiosulfate.
The wet collodion, in its two ambrotype and ferrotype variants, is certainly the technique that allowed the spread of black and white photography on a large scale. Developed towards the end of the 1800s, it allowed the creation of the first negatives on a glass plate (ambrotypes) which were initially printed in contact on salt paper, but also suitable for enlargement. The ferrotype technique instead gives rise to direct positives on metal plates.
In both cases it is a matter of creating two objects that belong to the first ancient printing techniques used in photography, that nowadays go under the category of photographic alternative processes.
What will you do in this Wet Plate Collodion Photography Umbria?
You will part of a group of max 6 students. You will operate on a 9×12 cm to 18×24 cm camera to make some wet plates per day each, and get some salt prints to be made during the last day of workshop.
We will work mainly with aluminotypes and do some ambrotypes (glass negatives) for the salt prints of the last day. You will go back home with at least some good tintypes, some glass negatives and good salt prints.
This workshop of alternative photographic processes will also deliver a know-how to work with a portable darkroom for field wet-plate collodion photography. You will also challenge yourself with studio lighting for indoor portraiture photography.
Learning outcomes at the end of these two-days alternative processes workshop in Umbria
Our goals with this program on wet plate collodion photography and salt paper are to provide you with basic notions on use of chemicals, formulas for wet plate collodion, safety measures to handle chemicals and materials, procedures for preparing wet plates on your own and to get them developed and fully finished.
With the studio and field photography program you will understand the necessary gears for to carry out wet plate collodion indoor and how to make a portable darkroom on your own for to carry out the same technique in the field.
During the last day you will learn how to prepare good negatives suitable for the salt paper printing technique and you will make some salt prints from scratches.
What you need to bring
All materials and equipment needed are provided with the course fee. Students should be equipped with the following personal materials:
- Apron: every student should show up with a proper protective apron against staining; these chemicals stain permanently clothes so be prepared with that and use clothings you don’t care; if you get stains on your skin they will last for at most a week and they are not dangerous for your health; also shoes are at staining risk, consider a shoe change for to work carelessly;
- Protective eyewear: chemical stains on your eyes may be a serious issue! please wear protective clear glasses for to keep your eyes safe while working with certain chemicals in the darkroom; you can buy them at a budget in any hardware store;
- for the above mentioned reason of skin staining, please provide at least a pair of strong PVC gloves of your size for to handle chemicals during the three days processes; unless your fingers will turn black. You can find strong PVC gloves by hardware stores. Do not buy disposable gloves since they are not resistant in any manner to chemicals.
- Plastic A4 sleeves: bring some plastic sleeves of letter size to insert the wet prints at the end of the workshop, in order to be able to carry them home. Experience says that there is not enough time to wait for them to dry out at tghe end of the program.
Accommodation around the facility in Città di Castello, Tiber Valley, Umbria, Italy.
This photography workshop is held in Città di Castello, in the middle of the Umbrian Tiber Valley. This package does not include accommodation, lunch and dinner. These must be arranged personally by each participant.
We can help you with the possible tips and solutions to find cheap accommodation such as B&B, country houses and hotels which are available nearby the workshop location.
A very cheap solution is the church hostel Foresteria Dei Servi located in the nearby town Sansepolcro.
Just inquiry us if you need some help.
Program of the three-days Wet Plate Collodion Photography Workshop Umbria
Saturday morning, meeting at the premise at 9:30
- Collodion, what’s this unknown and old photographic process
- theory and formulas for wet plate collodion
- chemistry preparation
- introduction to wet plate cameras, modern and vintage, and to the use of the portable darkroom
- sample tests shooting with tintypes in the studio
- how to use flash light for studio photography
The course begins with the study of wet collodion process. We will take a journey through history of ancient photographic processes. This study is fundamental to understand how the idea of wet collodion was born and why it has been so successful on other techniques that were experimented at the time, including the daguerreotype. You will see how collodion was the precursor of all modern photographic technique, the one that led to the classic film that we still use today.
Such a short historical journey will be – hopefully – inspiring to you to deepen other alternative processes in the next future and expand this way your creativity.
The program continues with the study on the process and chemistry. Collodion allows a vast choice of possibilities, each one depending on everyone’s tastes. In this workshop we will try to head everyone to their best path, with the presentation of a basic procedure that is easy to handle, even for beginners.
After the necessary solutions are ready, we will move on to the sensitization of some plates and to make some test shots, to demonstrate how the whole process takes place.
Lunch: TBA independently.
In the afternoon each participant will prepare their own plate and take their own photograph. Everyone will have the opportunity to carry out the whole process of wet collodion with their own hands, so that everyone can shoot and develop a ferrotype (the positive version) and an ambrotype (the negative version).
Sunday morning, meeting at the premise at 9:30
- fine tuning glass negatives for salt paper printing
- salt paper preparation
- printing out glass negatives on salt paper
On the last day of the workshop we will talk about salt paper and how this invention was made by William Henri Fox Talbot. We will see how its commercial applications was unfolded, what the advantages on collodion were as well as its limits.
We will prepare the necessary solutions for the papers and give all the detailed procedure to be able to make successfully prints on salted paper at home.
Afterwords we will shoot some pictures on negatives with the view camera and prepare some ambrotypes for the salt paper process.
Lunch: TBA independently.
Printing, washing and finishing of the salted papers, in order to allow everyone to take home at least a good and finished copy of the work that we could have done.